Two
Terps Rock!
Fellows
from Vietnam and Kenya produce a documentary on Testudo
See
The
Spirit of Testudo video
Hoa Nguyen
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When the two Fellows arrived on campus in August, one from Vietnam, one
from Kenya, they had no experience as American-style television
reporters who shoot, edit and produce a story.
By the time the two left, they had created a 20-minute video
documentary so good that it was selected by the dean to represent the
College’s best work.
Collins Wagumba
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Entitled, “Testudo,” the video documents the
history and loyal following of the university’s mighty
Maryland terrapin turtle mascot.
Collins Wagumba, who teaches multimedia university courses in Kenya,
served as director for the project. Hoa Nguyen, deputy editor of Ho Chi
Minh City Television, where he supervises 80 employees, was the more
technically experienced of the two and acted as director of
photography. Both edited the film, calling themselves the
“Two Terps Production Company,” after the nickname
for university students.
College of Journalism Interim Dean Dr. Lee Thornton gives the two
Humphrey “Terps” high marks: “The
documentary rates high in storytelling narrative, visual effects and
creativity,” she said. “There's more than ample
evidence of solid interviewing skills. And the filmmakers
really knew a great bit of sound when they heard
it.”
Dr. Lee Thornton
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Hoa and Collins (Class of 2007-2008) had studied under Dr. Thornton in
her long-form broadcast documentary class. Of all the student
documentaries she could have chosen, she picked
“Testudo,” to run on a continuous loop in an
October exhibit that showcased the University’s colleges and
departments. Dr. Thornton ordered several dozen DVD copies of
“Testudo” to hand out as promotions.
The production shows off the skills that Humphrey Fellows acquire while
on campus. During their first semester, Hoa and Collins enrolled in an
intensive independent study with Albert Calogero, an adjunct professor
who is producer/media editing supervisor for WUSA-TV, Channel 9.
Calogero taught them how to shoot and edit field television packages.
The class was arduous and they really had to want it, as it met at
night, from 7 to 10 p.m. “In the beginning we spent a lot of
time on cultural differences,” recalls Calogero.
“Both of them had a hard time getting used to the freedom
that the press has in America. It’s a different approach to
just go out and start shooting.”
Calogero’s course got them ready for Dr. Thornton’s
documentary class. The two Fellows considered several ideas before
settling on Testudo. They chose the turtle in part because of their
fascination with the campus symbol, in part for entirely practical
reasons: unlike most of their classmates, Hoa and Collins
didn’t have a car, so they needed to stick close to campus.
“I had heard everyone at Maryland talk about the Terrapin
with enthusiasm,” remembers Hoa. “I saw the
university campaigns that featured the turtle, and I began to
understand what the mascot means to the life of the
students.” He also was intrigued by the subject of branding,
and how the university had adopted it for fundraising campaigns,
athletic teams, and so on.
“At first I looked at Testudo as a symbol of
leadership,” Hoa said. “Later, I discovered many
layers of meaning underneath. It is history, it has some charisma and
deep attachment to the university. I love this idea.”
While Hoa did much of the shooting, they two Fellows formed a close
team, with mutual respect. “What I learned from Collins is
persistence and single-mindedness,” says Hoa.
The documentary tells us how Testudo was the brainstorm of the Class of
1933. No one knows anymore the derivation of the name
“Testudo,” though it is thought to be a variation
on the turtle family’s Latin nomenclature, testudine, or a
reference to testudo gigantia, a species native to the African nation
of Seychelles. A 300-pound bronze statue of a giant Chesapeake Bay
diamondback terrapin turtle sits in front of McKeldin Library, where
students
traditionally rub its shiny nose for good luck before final exams.
Hoa and Collins used special effects, sparingly: Testudo’s
signature diamond back shell is eerily screened over opening shots.
Thanks to the University marketing department, aerial shots of campus
were spliced in to give an overview of campus.
The enterprise consumed an enormous number of hours. Shooting took
about two weeks. “We took the camera out any break or moment
we had between classes,” says Collins. For two weekends they
practically lived at the editing rooms, leaving at least twice at
midnight.
While the two worked alone, they received encouragement from their
professors, Thornton and Calogero. Collins relates: “Hoa and
I would get stuck with the editing, and we’d call Al
Calogero at the office and he’d direct us what to
do.” Professor Thornton inspired them at crucial moments.
“There were moments when we doubted whether we could pull out
something worthwhile,” says Collins. “Dr. T sent
emails, or would ask us how it was going. Those moments would
reenergize us to push on.”
Although impressed by the two Fellows’ technical skills,
Professor Thornton also praised how “the filmmakers
‘got’ both the American culture and the culture of
the campus and the meaning of the mascot.”
It’s often said that you don’t really understand
your own country until you spend time abroad. Perhaps it’s
also true that it takes some out-of-towners to tell us about our own.
by Lucinda Fleeson, January 2009